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Thread: Chop chord minors

  1. #1
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    I was wondering if any of you could tell me if there was a way to make minor chords in a chop chord style (if that makes any sense)? I've been playing about 5 1/2 years and am self-taught. I learned to use chop chords after seeing Ricky Skaggs do it on tv not long after I got my first mando, but I was wondering if there was a way to make minors like that instead of having to make the actual chords out of a chord book. Any tips and secrets are greatly appreciated. Thanks!



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    I think all ay gotta do is ...take your index finger, and move it towards the nut one fret. Leave the others (fingers)lay way they are.

    Just learnin myself though.

  3. #3
    jbmando RIP HK Jim Broyles's Avatar
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    Sure. Lower the third 1/2 step. For the G chop it's 7-5-2-3, where your index finger is fretting a B note which is the third in a G major chord. Drop it to the first fret and play 7-5-1-3 and you have a G minor. Determine which note is the 3rd for any other chop chord and lower it one fret (1/2 step) to make it minor. This is where a basic knowledge of theory can help you.
    "I thought I knew a lot about music. Then you start digging and the deeper you go, the more there is."~John Mellencamp

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    That one scares me!!!

    I'm startin with the D minor, not as many fingers to worry about, plus it's not a SUPER SLINKY stretch, but a good excercise.

    I'm also workin the 3 finger, open F chord, working the pinky stretch out, for that eventual G minor.

  5. #5
    jbmando RIP HK Jim Broyles's Avatar
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    You can chop without using all 4 strings. I use 0-5-1-X to chop a Gm for "Kentucky Mandolin." I use 2-3-5-X for a Dm chop and move it around. Another minor chop is to barre and use the open Gm fingerings as a movable chop. For example, barre at the second fret and use your middle finger to fret the A string at 3 and your pinky to fret the E string at 5. This is A minor and the chord is named off the E or G string notes.
    "I thought I knew a lot about music. Then you start digging and the deeper you go, the more there is."~John Mellencamp

    "Theory only seems like rocket science when you don't know it. Once you understand it, it's more like plumbing!"~John McGann

    "IT'S T-R-E-M-O-L-O, dangit!!"~Me

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    I don't understand why people use monroe chop chord, there are easier ways to stop all 4 strings and make major or minor chords with proiper voice leading no less.

    If you wanted to play an Am chop chord. Play the A on the G string (fret 2), E on the D string (fret 2), C on the A string (fret 3) and A on the E string (fret 5). If you get both the low A and E with one finger it is really easy.

    <table border="0" align="center" width="95%" cellpadding="0" cellspacing="0"><tr><td>Code Sample </td></tr><tr><td id="CODE">e-5
    a-3
    d-2
    g-2[/QUOTE]
    "And above all, respond to all questions regarding a given song's tonal orientation in the following manner: Hell, it don't matter, just kick it off!!"
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    oops sorry, what he said ^^^
    "And above all, respond to all questions regarding a given song's tonal orientation in the following manner: Hell, it don't matter, just kick it off!!"
    -Chris Thile

  8. #8
    Registered User Zako's Avatar
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    Well, as most people have experienced, a barre Am sounds kind of squeaky when played in that context and does not give the same boom-chuck effect (excuse the guitar-ism) that a Monroe chord does. I guess it has do do with the fact that when you do a Monroe chord you're stretching whereas when do a barre, you're squeezing either one finger onto two strings on two onto one fret. I hope that makes sense.
    Also, A: Barre chords sound good otherwise,and B: do whatever works for you.

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    Last night at Bluegrass Ridge, I sang Travellin' Kind, as off the CG Remembrances and Forecasts album. I actually was quoting the live version I have on tape from the old Vernon Valley bg fest in NJ, with Rick Allred pickin mandolin. I was using the chop E minor (9,5,7) and the chop A minor (9,7,3,5). It was mighty pahrful.

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  10. #10
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    Thanks everybody! You've been alot of help.
    2003 Gibson F5G
    Morgan Monroe MCM-CB
    Kentucky KM-140
    2004 Martin D28
    Blueridge BR-180
    Washburn D30s
    Alvarez RD-10
    Morgan Monroe MGB-2c banjo
    Fender Squier P-Bass
    2009 Beard Gold Tone PBS-M reso

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