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Thread: Scroll anti-envy

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    I'm not sure what to call it, I see other people referring to "scroll envy" and I'm curious whether others experience "anti-envy" and what they might call it? I look at a mandolin with an F-scroll (is that redundant?) at whatever price point and I think "What could s/he/they improved if they'd left that off? Better wood? More time tap-tuning it? Higher quality electronics(where applicable)? How much less would it be if they'd just left it off?" You get the idea. I like the Breedlove's ORIGINAL take on the "F" style--just sort of a cut-off block. It's like a respectful nod toward the tradition but remaining true to the utilitarian ideal.
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    I never got the whole scroll thing. #I have a Breedlove KF and I like the design though my motive in buying it was it was a really good one-shot deal with a former dealer liquidating stock.
    Steve

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    I don't worry much about having a scroll or not. #I have a mandolin with a scroll. I have several without. I didn't buy the one for its scroll or the others because they didn't. #That said, all things considered, the scroll is mostly about vanity: "It's prettier so it must be better."

    I don't deny that scrolls do make the instrument prettier, and in that regard I do find Breedlove's K-style a little lacking. They sound fine though.

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    Registered User John Hill's Avatar
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    For years I only played A-styles because frankly I can't tell enough of a difference in tone from A to F's (although some will say there is, I'm not debating that...I just can't hear it myself) to justify paying that much more for the same instrument. I will say that a well built scroll is beautiful and I now have an F-style on order but what I can't do without anymore are the lower lap points on an F-style; it just makes playing so much more comfortable for me that I'd never go back to an A just because of them.

    As it is I just bought a Breedlove FF yesterday and all I can say is that is a great deal for a scroll mandolin, if not traditional. Wonderful tone more importantly.
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    Moderator MikeEdgerton's Avatar
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    If I ever develop Breedlove envy I'll chop the scroll of my Gibson F5G. Till then I'll simply enjoy the heck out of the way it looks and sounds. Right now I'm going to go sit and play my Flatiron A for a while.

    With that said I think many newcomers make the mistake of thinking they need a scroll (even with the fresh take of the Breedlove stump) when in reality they could get a better mandolin if they just buy an A style. This is a matter of individual taste, kind of like dancing at a Bluegrass festival.
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    Registered User Jonathan Peck's Avatar
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    Some like em short, some like em tall
    Some like em thin, skinny legs and all
    ...Aerosmith

    Alot of us just like mandolins...all kinds...but that said, price will likely be the biggest determining factor in buying a good instrument. There are lots of choices in every price range...life is good. Always get the most mandolin that you can afford

    Or...you can think of it as evolution with the 'F' style mandolin being at the top of the food chain. Just out of curiosity, I just tried to think of a few 'A' style mandolins that cost more than 10k and who builds them. I didn't get very far



    And now for today's weather....sunny, with a chance of legs

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    Ratcliff A #45
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    I won't call it 'anti-scroll' as I think the F-style mandolin is beautiful, but at this point I prefer the simple elegance of a nicely done A. I've gone from the typical beginner's scroll-envy to a preference for A-style mandolins.

    One thing I like about A-style mandolins is that they seem (to me) to offer a more flexible canvas for a builder, specifically the headstock. I know there are F-styles with different takes on the traditional headstock, but I would say the vast majority are locked into the "traditional" look. The headstock on an A-style, in contrast, offers an opportunity for the builder to come up with his own take.
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    Quote Originally Posted by (Captain Crunch @ Sep. 12 2007, 11:46)
    Some like em short, some like em tall
    Some like em thin, skinny legs and all
    ...Aerosmith
    Aerosmith covering James Brown, that is!

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    I used to be sliabhstv. steve V. johnson's Avatar
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    My musical instrument world has stuff from all over the planet, and from that perspective I'm often amazed at how the Gibson F-style has captured the imagination of so many people. #The F-mandolin is a unique shape and device, known the world over.

    I was just thinking about that this morning, and then I found this thread. #Hmmm....

    And the F-style has a lot of ... um... 'cultural baggage'. # In a lot of places in the world, when a player pulls out an F-mandolin, folks have certain expectations. #

    I think there's a difference in sound between A & F, and it's subtle, but among instruments made by the great builders of each style, I think the differences between the A & F area a bit more apparent. # #But in the main, at the less stratospheric levels of luthier's craft there is less difference. # A little to none, as others here have noted.

    The art of sculpture of F- mandolins has, in the past few decades, certainly become High Art, with details of carving, the shape and dimensions of the scroll, the headstock, the bindings and inlays, ALL the details, expressed in tremendously fine terms. #

    I've been a fan and observer/student of guitar luthierie for a long time, but a relative newcomer to the arts of mandolin building, and what I've learned (mostly via the Cafe, thanks) about the degree of craft that goes into fine mandolins is amazing and inspiring.

    All that doesn't inspire me to want to own an F-style mandolin, but I want to know what these great luthiers are doing, so I like to see, hear, and when I can, play some of them. #But my needs and my ability to actually -play- mandolins is much more simple. #

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    Quote Originally Posted by (Walter Newton @ Sep. 12 2007, 12:56)
    Aerosmith covering James Brown, that is!
    Not trying to hijack this thread, but I didn't know that. I just watched a live JB version on y*utube. Very cool!

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    You need at least one of each. :-)
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    Jason Wicklund DryBones's Avatar
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    Does anybody make an A style with a "lap" point?
    Jason

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    She was a good dog! Bill Snyder's Avatar
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    Quote Originally Posted by (DryBones @ Sep. 12 2007, 12:11)
    Does anybody make an A style with a "lap" point?
    Occasionally.
    One that comes to mind (although past tense now) is the Rigel Gypsy Q.
    Bill Snyder

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    The Rigel Q95 has a lap point, but I'm not aware of any active builders doing it.

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    I think there may be a few others doing the odd ball A style (or two point with lap point) but I can't recall seeing one on a production model since the Rigel Gypsy Q (which I loved). #There may be some less expensive imports with an A body and a point...

    Regarding the scroll. #I like a well executed one. There are some fine examples posted by folks... but I'm finding myself more drawn to less florentine models. #My next mando is going to be a L&H Style A inspired instrument by Brian Dean. #No body scroll or lap point but asymetrical points and a headstock fiddle head scroll. #I find that model and a really well executed three point oval hole to be the height of mando beauty and stylings. #On a utilitarian (and wallet basis) the plain A is great for me. #

    I don't know if the body scroll gives anything to tone (given same builder and materials with two different styles is this b/c of the scroll or just two variant instruments having slightly different tones)? #I'm not a good enough player to hear it or afford it if there is a difference on high end instruments. #I also feel the A balances better with less mass in the headstock (so why get the fiddle head scroll... vanity I guess). #If wishes were mandos, my next "dream" instrument would be a Brentrup black face, red backed, 3 point oval hole with Mike Blohm's repro Handel tuner knobs. #Hans' take on this with the pickguard that is scalloped to follow the extension is on a different plane...

    I do think a lot of new players are in a big rush to get a scroll to look the part and spend money on aesthetics instead of a better build but... If they dig the scroll they'll practice more and play better.

    Jamie
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    Quote Originally Posted by (Curious @ Sep. 12 2007, 13:23)
    Quote Originally Posted by (DryBones @ Sep. 12 2007, 12:11)
    Does anybody make an A style with a "lap" point?
    Occasionally.
    One that comes to mind (although past tense now) is the Rigel Gypsy Q.
    No, not the lower lap point but the upper one. The one that rests on your left leg while sitting (or should I say, rests on my left leg anyway).

    To be accurate a two-pointer a la Phoenix would fill that need I have for that point so I'm not necessarily fixated on the scroll per se...but it sure is purty.



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    Scroll disdain? I've got it. But then I also drive a hatchback when I could afford something bigger and fancier, live in a smaller house than I could afford, etc. I think I inherited some kind of anti-ostentation gene. I can't help myself.
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    Closet Mandolin Player Mark Walker's Avatar
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    Split the difference - play a two-pointer!
    "The more I learn, the more I realize how ignorant I truly am..."

  20. #20
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    Not Anti-envy, just an observation. Scroll and points - silly looking and totally worthless appendages, musically speaking. But, Monroe played one, Orville apparently thought they were purty, so people follow...

    You asked.

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    It's a mighty complex carving for a strap hook.
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    the holy grail
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    Glad you liked my photoshop Captain! In my mind that's how I feel some people view the F5. You'ld never catch me on a lake in a canoe wearing plate armor waiting for some ladies to hand me a mandolin! I would fall overboard and drown!

    Jamie
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    Love that one.It's a work of Art!
    And now for today's weather....sunny, with a chance of legs

    "Give me six hours to chop down a tree and I will spend the first four sharpening the axe." - Abraham Lincoln

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    Ratcliff A #45
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    "Look mate, if I went 'round, sayin' I was Bill Monroe, just because some moistened bink lobbed an F-5 at me, they'd put me away!"

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