Try this great jazz classic, Billie Holiday's Don't Explain, sung by Nina Simone :https://www.youtube.com/watch?v=_xBBpOPDm8s . I've played solos on this, on tenor sax on stage, and have almost ruined my performance with my tears.
Try this great jazz classic, Billie Holiday's Don't Explain, sung by Nina Simone :https://www.youtube.com/watch?v=_xBBpOPDm8s . I've played solos on this, on tenor sax on stage, and have almost ruined my performance with my tears.
This one gets my vote. Tragic subject, sad lyrics and a mournful tune.
duplicate
It's brilliant, but it offers me no escape, no hope and therefore does not fulfill the medication function I was referring to. It reminds me of this other one - no silver lining on these clouds. The world ends, and there will be no follow-up. This is not just sadness, it's final damnation.
the world is better off without bad ideas, good ideas are better off without the world
Lots of ideas here. Billy Holiday should be in here more.
But since we seem to be zooming in on the special flavor of regretful, wistful gut-pain John Prine makes so often:
"Mexican Home"
Not the sweet Arif Mardin produced should version with the Sweet Inspirations going to town in the background, but the slow fingerpicked live version which is about nothing but dead parents.
If you think those two songs hurt, listen to Henryk Gorecki's Symphoney #3 (here's the famous second movement https://www.youtube.com/watch?v=g5fg8-VWNo0), but be sure someone reliable is with you for about 24 hours after.
As others have pointed out, the medication in this kind of almost unbearably sad music is that, by its emotional experience, the listener can work through these terrible feelings and, at least for a time, purge them. I don't think this type of music is good for people experiencing actual tragedy in their lives--they have all they can handle with present reality. But it certainly speaks to the overwhelming power of music--the most direct art form human beings have created.
That's not so bad - it's a requiem at heart, and as such it has a warm, comforting element with the promise of resurrection. Here is one in the same league for you.
the world is better off without bad ideas, good ideas are better off without the world
Very sad, though beautiful. Sometimes one hopes the beauty can medicate, though sometimes beauty offers no escape and is part of the sadness. Wonderful to see Billy Holiday mentioned here.
Playing:
Jbovier a5 2013;
Crafter M70E acoustic mandolin
Jbovier F5 mandola 2016
I guess we all drown our sorrows in different ways. That it (a sad song) has some strange attraction or appeal shows me that misery loves company, so maybe the implied comradery is a sign of hope -- that you are not alone. I respect the "artistry" of a musician being able to deliver that feeling on demand night after night. But, mostly I enjoy happy music, if I want to be sad I can watch the evening news.....
Speaking of drowning -- my uncle was a Navy man and a line he repeated over and over in my youth was something to the effect of, "you know the good thing about the Navy is if the ship goes down, 500 other guys are going down with you...." I never understood that logic and certainly got no comfort from that statement, but obviously the comradery appealed to him. I think the Navy is wise to not use his statement as part of their recruiting campaign......
Has there ever been a sadder Christmas song than Merle Haggard's "If We Can Make It Through December"?
And, it was a hit.
There is a connection between great sorrow and great beauty. This connection has inspired many many books and movies, going back to ancient times.
For me, a very sad song is "The valley of kilbride" by The Once.
I'd be like a flower unwanted in spring,
Alone and neglected, transplanted in vain,
To a garden of sadness where its petals would fall
In the shadows of undying pain
-- Louvin Brothers, When I Stop Dreaming
Some other candidates: Mary Of the Wild Moor, Father's a Drunkard and Mother Is Dead, Step It Out Mary, Greenwood Side-E-O, No School Bus In Heaven, Come All You Tender Hearted -- can't go on, too painful.
Allen Hopkins
Gibsn: '54 F5 3pt F2 A-N Custm K1 m'cello
Natl Triolian Dobro mando
Victoria b-back Merrill alumnm b-back
H-O mandolinetto
Stradolin Vega banjolin
Sobell'dola Washburn b-back'dola
Eastmn: 615'dola 805 m'cello
Flatiron 3K OM
"The Killing of Georgie" Rod Stewart
Yes, that makes sense, that's an excellent explanation.
Even in instrumental pieces, there can be those two opposite feelings.
I don't usually create this kind of music (video below) but...
I recorded the first track after I saw one of our kindly extremely-elderly neighbors get carted out of his house on a stretcher and put in an ambulance and hauled away to the hospital. Not usual for him, he'd always been so healthy and spry despite his age. Things were looking bad, they figured heart attack, and he probably wasn't going to make it through very well if at all. That was bad enough, but the look of despair on his disabled wife's face as she watched them haul him away, that was what really got to me.
Later, after the dust settled, in frustration and sadness back at home I picked up my guitar and just started playing random notes strung together into a tune of sorts. After a while, even in my sadness I thought the tune was kind of pretty in its own sad way, so I turned on the recorder.
THEN, the next day, the neighbor was brought home from the hospital with a much better outlook! My mood did a 180!
I thought of the tune I'd recorded the day before, I thought that it should no longer be a sad song, or at least that the inevitable sadness had been postponed for maybe a few months or a few years, so I recorded a 2nd (happier) backing track to go with the melody track.
You can still hear the original doom-and-gloom sadness, but now with the 2nd track as a backing track, IMO the music has hope that things are going to be ok after all. Although it still has a bit of an unnerving edge to it, as with any such tune I suppose.
(or direct link)
So when I made that video back in 2015, I re-used a background from one of my other videos with the archetypal theme of moving from shadows to light, which I suppose is also kind of an overused stereotype or something, but I thought it seemed to fit the music. (Video "animation" created in Adobe AE using a modified stock-photography sun & clouds scene and a custom-made 'sailboat' created from scratch in Adobe Photoshop.)
Of course this kind of stuff is always going to be personal and, while I hear it as an emotional piece, to someone else it might just sound like a bunch of noodling... which I guess it is, also.
It has that ambivalent Pink Floyd vibe
the world is better off without bad ideas, good ideas are better off without the world
White Dove is another nice sad song.
Allen Hopkins
Gibsn: '54 F5 3pt F2 A-N Custm K1 m'cello
Natl Triolian Dobro mando
Victoria b-back Merrill alumnm b-back
H-O mandolinetto
Stradolin Vega banjolin
Sobell'dola Washburn b-back'dola
Eastmn: 615'dola 805 m'cello
Flatiron 3K OM
You're Not Coming Back by Lynn Myles.
just listened to Echo Mountain... and that one gets my vote.
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