Hello & good morning to All,
Just a couple of questions on those harp mandolins.
How do you play them and in which types of music are they most prominantly featured?
Are those harp strings used like drones?
Thanks a bunch![]()
Hello & good morning to All,
Just a couple of questions on those harp mandolins.
How do you play them and in which types of music are they most prominantly featured?
Are those harp strings used like drones?
Thanks a bunch![]()
Keith Erickson
Benevolent Organizer of The Mandocello Enthusiast
However you want, who knows, and yes and no.
There are so few historical examples with sub bass strings; it's anyone's guess how they were played in the past.
Nowadays the sky's the limit... Though I'd guess there are fewer than 20 actual sub-bass playing harp mandolinists in the whole world, and that's being REALLY conservative (the number tied to the amount of actual sub-bass harp mandolins, I suppose). Gregg Miner does some intricate thumb-fingerpicking on his vintage Knutsen...
On those harp strings, what are the notes they are tuned to?
Are there any recordings of harp mandolins?
Thanks a bunch![]()
Keith Erickson
Benevolent Organizer of The Mandocello Enthusiast
They look kind of wierd. Like something from another solar system.
-Trust a simple song. ---Marty Stuart
The entire staff
funny.... Sort of funny....Sort of funny also
That little girl of mine from Alpha 13...I know she'll be waiting there for me...![]()
John McGann, Associate Professor, Berklee College of Music
johnmcgann.com
myspace page
Youtube live mando
Check out the Gregg Miner Music Museum page. There should be links to tunes recorded with one. Sample here.
Jamie
There are two things to aim at in life: first, to get what you want; and, after that, to enjoy it. Only the wisest of mankind achieve the second. Logan Pearsall Smith, 1865 - 1946
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Hmmm. Don't think there's sub-basses on any of those, but Gregg'll correct me if I'm wrong. The ones without sub-basses sound like... (wait for it) Mandolins! Though I suppose they're louder due to the increased size of the instrument. The one or two I've heard that have the subs do sound different, even if you don't play the extra strings (they resonate in a cool and mysterious way).
If you go to the builders' sites (linked through the eye-candy section) they have suggested tunings to try. I think "Tone" from the Rex James outfit has some playing tips on his site too.
I admit I have never tried any of them, as I don't have a harp mandolin! But come to think of it, I have a "spare" Mandobird laying about...
Nah, they're from Santa Cruz.Originally Posted by (JeffD @ Mar. 19 2007, 14:27)
I built a reproduction of the Knutsen HM#2 (Knutsen Archive) see a small pic on the eye candy harp mando page. Tuning the sub-basses is a personal preference, within a range of course. There is no historical data on tuning, but generally an octave lower than the main strings. I'm not really a player, but it is like having a guitar there to do some rolling base notes. The bass notes really are mezmerizing, you would be surprised how well they work.
Here's the page to see:
http://www.harpguitars.net/knutsen/mandolins.htm
While searching, I spotted this thread (and noticed several other old harp mandolin threads).
Darrell was uncharacteristically confused above - there are only 5 Knutsen harp mandos with subs known currently (4 in the Knutsen Archives, 1 not yet listed). #Incidentally, yes, those withOUT subs are still called harp mandolins (Dyer made have started the practice), as they mimic the hollow arm shape of the Knutsen and Dyer harp guitars (I CLASSIFY them as "hollow arms" or "psuedo harp-" however...).
There may now be more NEW "true harp" mandos than old. #Dave from Texas, Sedgwick's, Tone Powell, those cheap, cheesy new Tropical Moon instruments (they also BADLY copied a Bruno harp guitar image from my site) and a few other's (everything is pretty up to date on my site here:
http://www.harpguitars.net/history/org/org-related.htm )
So far, we haven't found any clue as to a "historical tuning" for these extra basses suggested by Knutsen or anyone. #Nor have we a clue as to how they might have been played. #I suspect most likely with a pick in a bass note>chord pattern, or equally likely, not using the subs at all (as many harp guitarists did back in the day). #I've played my black one with a pick at the Harp Guitar Gathering on occasion, and written a fingerstyle piece for my walnut one. #It's recorded and hopefully will see release eventually. #Meanwhile, here's a brief clip of it live at the Museum of Making Music's Harp Guitar Exhibit (yes, Eugene, with European "bass guitars" and everything!) Opening Night (sound and lighting are terrible, I'm afraid).
Click on "View a Video" to the left of Bennett's picture.
The piece is "The Friends I Finally Met" - part parody, part loveing tribute to my tapping, slapping, rapping, Hedges-loving HG pals.
http://www.nctimes.com/article...._07.txt
Here's Gregg!
Welcome to the huddle, Gregg, and for pulling this one up from the past. I've sort of started on another harp-mando, but guitars have gotten all of my attention lately.
Before I shipped my Knutsen Repro out to Ca, I did get to play it for a while, and having those bass strings there is pretty mezmerizing. It's not for everyone, of course, but if you get a chance to strum one, you should.
By the way, it was Greggs rendition of "Little Martha" on the Knutsen in Tacoma that got me to build one.
Aw, c'mon Gregg... 5 IS less than 20! Should I have said less than 10?Hadn't heard your Hedgemandolinning before - nice!
From National Geographic back in the 60's. Iraklion, Crete. Somehow I don't think this guy was copying Knutsen.
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