Lots of folks know that John Monteleone keeps a jar on his workbench that contains the shavings from Mike Marshall's Loar from when he removed it's back to regraduate it's top and to replace it's old Virzi-notched tonebars. Does anyone know if this was done before or after Mike recorded his "Gator Stut" album?
My ears were too immature when I first bought this LP years ago to appreciate it, but I am now really digging Thelonius Monk's "Round Midnight" with Tony Rice and Mike's "Scotch & Swing" which is Bill Monroe's "Scotland" as it would be played by the Hot Club of France.
But Amsterdam was always good for grieving
And London never fails to leave me blue
And Paris never was my kinda town
So I walked around with the Ft. Worth Blues
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