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Thread: Trip to Gryphon

  1. #1
    Cambridge Mandolinist Daniel Nestlerode's Avatar
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    I needed to go to Gryphon to get an estimate on a guitar repair. #My SCGC got crunched in transit, and there are some bad cracks in the mahogany on the treble side of the end block. #Repiars will likely be $400.00 and take about 8 weeks. #Ouch.

    Ok so much for the set up. #The real fun of visiting Gryphon is sampling the wares. #Grypon has an amazing selection of guitars. #If you're looking for a guitar and you live in northern CA, you should definitely visit Gryphon.

    However, their selection of mandolins, while better than every other hsop in the Bay Area, is still merely decent.

    Gryphon carries Kentucky, MidMo, Eastman, Weber, Lebeda, Phoenix, Gibson, and Collings. #Mike asked me to compare the Phoenix Neo-Bluegrass and the Phoenix Deluxe, so I'll start there.

    Phoenix (Rolfe G.) makes wonderful instruments. #Gryphon had the above mentioned models in stock and a neo-classical too. I played all three and liked all of them. #the neo-classical was a differnet kettle of fish, so I'll just say it was a cool mandolin, and with brighter strings (it was strung with Thomasticks I think) it would make a great Jazz mando too.

    The NeoBG and the Deluxe were an awful lot a like. #the Deluxe was priced at $3600 and the NeoBG was $2880. #I couldn't detect almost $800 worth of tonal difference. #The striped maple was a little more uniform on the Deluxe, it carried an ebony finger rest, had a slightly larger headstock, and a vine inlay on the fingerboard rather than dots. #The Deluxe was a little less bright than the NeoBG, but both were wonderful and otherwise identical (or at least too close to call different). #Phoenix mandolins seem to have a clearer tone than Gibson design derived mandolins, but they are excellent instruments. #I'd be proud to own one. #

    I didn't like any of the Kentuckys. #Tone was too thin, no chop.

    One of the Eastmans, an A, was not bad, and all of them were better than the Kentuckys. #They were better quality than I was expecting, and I can see why people like them so much.

    There were 3 Gibsons in attendance: an A-9, an F-9, and a Master Model. #The nines were nice, but nothing to write home (or a message board) about. #The F was a little sloppy under the fretboard extension: the support piece was cut roughly and not sanded well. #Tonally they were unremarkable and the F was a little better than the A. #I'll revisit the Master Model later.

    Next came the Collings. #MT, custom MT, MF, MT-2 and MF-5. All were better than the Gibson nines, and their consistency was remarkable. #My personal favorites were the custom MT and the MF, but they were matched by the MF-5. #The MT-2 and the MT were the weakest of the quintet, but not by much, a hair. #They probably would have opened up a little had we given them as much attention as the other models.

    The Webers were, frankly, thin and a little dull in comparison. #Personally, I don't like their necks (too thick) and their gloss finish (also too thick). #I love my Weber Alder #2 mandola, but it's a different beast. (I also had the neck rehaped and refinished by a luthier.)

    So after running through all the mandolins, I concentrated on the Gibson MM and the Collingses. #The Gibson MM had a darker tone to it than any of the Collingses. #It looked a little rougher in the finish and tight spots too. #The binding in the scroll was rough on the top edge and the finish bled into it a little. #It had a very "hand made" look about it in comparison the the scarily consistent (and consistently good) Collingses. #At $14,500 I felt it was overpriced, and would rather spend the money on 2 Collings MF-5s than that one Master Model. #Good mando, but $8500 would be a more appropriate price.

    My favorite mandolins in the shop were the Phoenix NeoBG, Phoenix Deluxe and the Collings custom MT and MF. #The Collings beat the Phoenixes by a nose and the MF beat the MT just 'cause of the scroll. #All four were excellent instruments.

    Best,
    # Daniel




  2. #2
    Registered User Ray Neuman's Avatar
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    I need to visit a place like that Daniel.

    I have been enjoying the Collings MF-5 delux since January, and frankly, I think it has spoiled me.

    professir
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    Great report. I very much enjoyed your clear and detailed reporting. We think a lot alike, except I put the Phoenixes a hair in front of the Collings, which is why I bought one.

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    Gryphon tends to irritate a lot of companies They get the instruments and if they arent up to their standards, they send em right back!!!! Ive always bought a Gryphon and I never intend to buy anywhere else!!!! of course when you buy from gryphon they tend to repair your instrument before the other ones from somewhere else. So with that in mind, Gryphon can be picky Im glad they are too!!!!!!

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    Thanks for your report Daniel--excellent work. I was in Boston over the weekend and had a chance to checkout instruments at Music Emporium--a great music store in Lexington, MA that doesn't get it's share of board time. They have a fine selection of Collings, Webers, Phoenixes(sp?), Gibsons, Midmos, Eastmans and a good selection of pre-owned instruments. The quality line between Collings and Phoenix is very close--as you've noted. I was surprised by the quality I saw in the Webers they had in stock as well. Anyway, sorry to side track your post and thank you again for checking out the Phoenix mandos for me. Regards, Mike

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    "Merely decent" selection? Hah, I wish Philly had it so good!
    Excellent reporting; especially the reviews of the different Phoeniis. Thanks.
    Wye Knot

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    Registered User evanreilly's Avatar
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    I am going to put forth the tenuous proposition that, having several Phoenix mandolins, the plural is Phoenix'.

  8. #8
    Cambridge Mandolinist Daniel Nestlerode's Avatar
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    Quote Originally Posted by (Lee @ June 13 2005, 06:54)
    "Merely decent" selection? Hah, I wish Philly had it so good!
    Excellent reporting; especially the reviews of the different Phoeniis. Thanks.
    First off, thanks to all for the kind words. I'm glad you could see through my typos.

    I toyed with the plural of Pheonix myself. I was tempted to write "Phoenices" since the plural if index is indices. But in the end I figured Phoenix is a proper name and removing the x would be confusing to most people. For what it's worth, I believe the "ii" plural is Latin rather than Greek, and I'm pretty sure Phoenix is a Greek name. (Sometimes I think too much about minor matters )

    Evan, I know I know. I really should be grateful that two shops (Gryphon and fifth String in Berkeley) are within driving distance --we made a day of it-- and have large enough selections to make a pilgrimage to play mandolins worth doing. But as a mandolin player I frustrated that our "market" is not better served (and Gibson's new retail policies aren't helping any). Gryphon had less than 24 mandolins in stock and more than 100 guitars in stock. I play guitar too, and didn't touch one in the store.

    Best,
    Daniel

  9. #9
    Cambridge Mandolinist Daniel Nestlerode's Avatar
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    As alluded to above, my frind and I went to Fifth String in Berkeley too. Here's a quick report.

    Like an idiot I suggested that we take 280 up to 380, get on 101 which whould put us on 80 and get across the SF Bay on the Bay bridge rather than go back to the east bay the way we came in (580 to 238 to 880 to 92 --across the bridge-- to 101 to Oregon expressway to Park to Lambert).

    We hit bridge traffic on a Saturday afternoon at 3 o'clock. ( ) And got to Fifth String in Berkeley at a little after 4.

    Once there, I asked for Ted Silverman (link) and learned he had the day off. Sorry I missed you Ted. Then I went to the shutter wall in the back looking for the mandolins.



    The back shutter wall had some Johnsons and Kentuckys which I ignored, an A-9 and an F-9. I noticed at Gryphon that the A-9 sounded different than the F-9 and chalked it up to woods and/or manufacturing variances. But the A-9 and the F-9 in Fifth String sounded different from each other in exactly the same way. Weird. This may lend credence to the otherwise incorrect notion that scrolls make a big tonal difference. And it makes me wonder what's up at Gibson. [To be fair, I have played exactly 3 F-9s and 2 A-9's so I will point out that my experiece is strictly anecdotal and may not reflect an accurate view of the nines as a model.]

    Fifth String has a Distressed Master Model and a bunch of upper end mandolins, which were behind glass. I saw a Bibey, a Benson, and a few others that I couldn't identify. And while we talked with a sales person about those mandolins, he didn't offer to open the case for us. So we didn't play any of them. Actually, the DMM was in a separate case from the other upper end Giobson amndolins and we *were* offered the opportunity to play it, but passed. Neither of us is a fan of pre-worn instruments. We see it like ABC gum, and would rather purchase honestly worn instruments or oput the wear on ourselves.

    My friend, Ken, tried out a '53 D-18 that wasn't worth the asking price, and a 51-55 Gibson SJ that was. After that we left.

    And there ended our day except for the 90 mile drive back to Modesto where we hit traffic in the Tri-Valley and on the Altamont. On a Saturday afternoon around 5, sheesh.




  10. #10
    _________________ grandmainger's Avatar
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    Right, well I did go look in my dictionary (COBUILD):

    The plural of Phoenix is Phoenixes
    Sames as Box/Boxes, and Fox/Foxes, but not like Ox/Oxen

    Germain

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    Registered User evanreilly's Avatar
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    Well, Rolfe calls 'em 'feenies'....

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    two t's and one hyphen fatt-dad's Avatar
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    Quote Originally Posted by (evanreilly @ June 13 2005, 10:17)
    I am going to put forth the tenuous proposition that, having several Phoenix mandolins, the plural is Phoenix'.
    Phonecian's
    ˇpapá gordo ain’t no madre flaca!

    '20 A3, '84 1N, '84 A5-1, '06 Phoenix Bluegrass, 2012 Cohen A5, 2012 Muth A5

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    I am going to put forth the tenuous proposition that anyone who owns multiple Phoenix mandolins is someone to be envied.

    Which ones do you have (Model/Serial #)?




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    Ah!! - P-H-O-E-N-I-X... ; the mystical bird that returned to life from the ashes of its' own funeral pyre. I gotta' make a/the conexion...., somehow. mmmmm...

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    Registered User mikeyes's Avatar
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    Germaine,

    If the plural of index is indices, what is the plural of Rolex?
    Mike Keyes
    Fond du Lac, WI
    www.mikekeyes.com

  16. #16
    Registered User evanreilly's Avatar
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    Okay...
    here is hisownself with "The Phoenix" #164 and "The Phoenix" #301.
    Both were prototypes, #164 was a trial of several concepts that became the bases for the 'Bluegrass' models. It also had a fir top, and a very light finish. #301 is a prototype/custom BLuegrass Master Model. Hybrid varnish sunburst, spruce top, elongated tone bars.

    Here is a little info i put up about
    # 301 showing it in various stages of production.

    And here is a clip of hisownself playing a little bit of Monroe's song Linda Lou on #301.
    That's my story and I'm stickin' to them!!!
    Attached Thumbnails Attached Thumbnails Click image for larger version. 

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    Gorgeous instruments. I have always coveted a Phoenix blond to go with my 'burst. I never knew he used "The Phoenix" as a logo. Thanks for sharing the picture.

    It's interesting that the size of his f-holes has increased. I have the feeling that the large f-holes on my Phoenix contributes to its guided missle like sound. Can you give me any feedback on this thought?

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    One day I'll be able to afford a Phoenix to match my Unicorn. Thats a nice looking tailpiece on 301 and I like the black tuners as well.

  19. #19
    Registered User evanreilly's Avatar
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    Rolfe thinks that the size of the F-holes on his mandolins has increased slightly over the years to to some slight wear on the tooling he uses to cut the holes... sounds reasonable to me.
    "The Phoenix" is not available as an inlay on the peghead. Rolfe hates doing that and would only do it for me, since I was the semi-studious student minister at one of his churches a very long time ago. I played mandolin more than I studied and kept telling him to build mandolins!!!

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