Good guess on the Singerland; Jake Wildwood's example has a very similar headstock profile, though it's obviously not as ornamented.
Allen Hopkins
Gibsn: '54 F5 3pt F2 A-N Custm K1 m'cello
Natl Triolian Dobro mando
Victoria b-back Merrill alumnm b-back
H-O mandolinetto
Stradolin Vega banjolin
Sobell'dola Washburn b-back'dola
Eastmn: 615'dola 805 m'cello
Flatiron 3K OM
My Banjolin looks exactly like yours. The headstock inlay is a little different, but very similar. The pin-striping is the same. Fret markers are dots like Jake Wildwood's. Mine doesn't have "Slingerland" anywhere, but I've long thought that it might be, as it is similar to my Slingerland Maybelle Queen tenor banjo.
I made an armrest for my banjolin a while ago, and just finished a trap-door resonator for it. Now it's REALLY loud.
Here is my Wurlitzer tenor banjo with the same headstock and fingerboard inlays.
Wurlizter nameplate.
Bear in mind that often these pearl inlays were supplied by pearl suppliers and may not be the final indicator as to the manufacturer. They often are found on multiple makers who buy from the same supplier. Of course it is also possible that the Wurlitzer was made by the same maker as the others.
Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
Wurlitzer didn't make their stringed instruments they outsourced and bought from multiple suppliers including Martin.
"It's comparable to playing a cheese slicer."
--M. Stillion
"Bargain instruments are no bargains if you can't play them"
--J. Garber
If inlays don't include a maker's logo, similar ones can often be found on instruments from different companies. Obviously, some makers used distinctive inlays (e.g. Bacon Banjos' "chubby dragon") but others just bought inlays from pearl cutters.
The little "scoop" at the top of the headstock is what indicates to me that the instrument in question could be a Slingerland product.
Allen Hopkins
Gibsn: '54 F5 3pt F2 A-N Custm K1 m'cello
Natl Triolian Dobro mando
Victoria b-back Merrill alumnm b-back
H-O mandolinetto
Stradolin Vega banjolin
Sobell'dola Washburn b-back'dola
Eastmn: 615'dola 805 m'cello
Flatiron 3K OM
I think there may be an echo in here (echo in here).
Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
The manufacturer probably made my The Vernon also since it has a matching headstock shape.
A SS Stewart Student model mandolin banjo with a similar headstock shape.
I have a May Belle Banjo uke , by Slingerland , the Slingerland brand is wood burned into the rim-stick.
The headstock shape seems Similar to #12
writing about music
is like dancing,
about architecture
Definitely a Slingerland, probably in their 200 series, maybe 2000 series, as it's awfully nice maple... impossible to tell if there is no number branded into the dowel stick... 1920's, yes, more than likely, but could be later. NO WAY to tell as they did not use serial numbers on any instruments except their electric lap steels (1936-1941). They bought out SS Stewart, and made a TON of instruments for other companies, Wurlitzer, Vernon, and a LOT of Concertones... May Bell was a brand name under the Slingerland banner... In about 1926 they were the largest banjo maker in the country, pretty much putting Ludwig and Leedy out of business for banjos, all because of drums....
FYI, ANY banjo family instrument you see that has a 1,2,2,1 dot inlay pattern from nut to head IS a Slingerland-made instrument. No exceptions that I've ever seen or heard of.
Here's one that is pretty much the same, with an Elton nickel-plated brass resonator...
My web pages don't show any banjo-family instruments, but I have dozens that haven't made it there yet...
http://www.slingerlandguitar.com
Hope this helps... DK
"We're all so caught up in wanting to sound different, wanting to sound
original-- but we should stop trying so hard. We're all
unique at birth. We'll come out sounding original without giving
it a thought." (Feet Rogers)
dkolars
http://www.slingerlandguitar.com
http://www.davekolars.com
"We're all so caught up in wanting to sound different, wanting to sound original-- but we should stop trying so hard. We're all unique at birth. We'll come out sounding original without giving it a thought." (Feet Rogers)
So far mine is the only one with the Slingerland label.
Most of the larger manufacturers of stringed instruments built instruments "for the trade" as well as their branded instruments. These could be sold through retailers as well as schools and individual teachers as their own brand. Even Gibson and Martin did some of this. It was a huge part of Harmony, Kay, Regal, L&H, and Oscar Schmidt's business. Many of these have brand known brand names but I'd hazard a guess that there are many more that were manufactured with no brand name at all. Every now and then you get something with no brand on the headstock and a manufacturers name inside someplace. What really gets confusing is when a distributor markets the same model name on instruments built by multiple builders. Bruno was famous for that.
"It's comparable to playing a cheese slicer."
--M. Stillion
"Bargain instruments are no bargains if you can't play them"
--J. Garber
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