I selected a used a The Loar LM 600 mandolin at the Mandolin Store recently and pulled the trigger. I was in the market for an Lm 520, knowing that this was a decent all solid F style. An LM 600 showed up, nearly new for $499. I expected to get a serviceable F5 that I could add to my A5 and A4, to round out my mandolin family. What I got was a well built, nice looking mandolin, with a great set up.
The things I don't like: The finish under the fretboard extension and inside the scroll is as reviewed often here on the Cafe, roughly finished. It appears there was no buffing of the excess polish. I have read here that this isn't just a phenomenon of The Loar's, but is also true of even some US makers. In other words, it isn't something to worry about. This is the only negative I found.
What I like: The tone is fuller and bolder than the KM-1000 I sold (I wanted a Morris A4 and I have been so pleased). This LM 600 has a great punchy, round tone, with lots of projection. I played it out today on a patio filled with 40 people and it cut through background noise and kept up with my partner's acoustic guitar. The tuners are quality, the frets are nicely dressed, and the headstock inlay is just very attractive, for lack of another way to state it. The detailed trim is classy and the nitro is hand-buffed to a good looking finish. A classic BG mandolin. "Larry" barks like my neighbor's dog.
The 1-1/8" nut is nicely cut (credit in part to the great team at the Mandolin Store) and the frets are wider and softer on the fingers than the more traditional wire frets on the KM-1000. The neck is a round "V" with a comfortable full feeling in my hand. At first it was a new shape. Hours of practice yesterday and an hour long gig with it today made the comfortable shape of this neck a great advantage, and seemed to "rest" my hand.
Finally, the Mandolin Store set up, with the wonderfully low J74 strings was perfection. The string height is heavenly low, yet a strong attack brought no unwanted buzzes. Excellent action!
In case you are curious, I have no interest in scooping the extension. I love the stock look with the row of mini frets and don't have a clicking issue that I find problematic. I am leaving it alone.
This mandolin lives up to its street price of $850, and was a steal for slightly used at $499, including set up and case. I am a believer in The Loar-- fit and finish goes to Kentucky, however the tone, projection, neck, frets and action to The Loar. I find the headstock particularly attractive and give it the nod, as well. The Mandolin Store lived up to its billing.
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