Mine was Brian Dean #41, a gorgeous brewing themed cittern. It was either be homeless and live in the streets or be without the instrument. Hindsight being 20/20, I'd opt for being homeless
Full album here.
Mine was Brian Dean #41, a gorgeous brewing themed cittern. It was either be homeless and live in the streets or be without the instrument. Hindsight being 20/20, I'd opt for being homeless
Full album here.
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Apollonio Acousto-electric bouzouki (in shop)
Mixter 10 string mandola (still waiting 2+ yrs)
Unknown brand Mandocaster (on the way!)
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"Doubt begins only at the last frontiers of what is possible." -- Ambrose Bierce
"But wasn't it all stupid nonsense, rot, gibberish, and criminally fraudulent nincompoopery?"
- Neal Stephenson, Quicksilver
Je ne regrette rien...
Fortunately they were all electric guitars or basses. The only mandolin I lost was due to weather, a bad winter in a new location, along with poor storage, trashed a lovely Suzuki bowlback.
Really? I had one until Saturday night...it was my grandfather's (one of my first posts at the Forum was about it), 1966 on the label. My cousin's daughter plays fiddle with a fantastic youth group called the North Shore Celtic Ensemble in Vancouver and had recently expressed interest in taking up mandolin, so giving it to her was a natural choice as I was just using it as wall decor. You can see it here:
http://www.mandolincafe.com/forum/sh...39#post1080939
Certainly nothing to regret there, very talented girl.
"But wasn't it all stupid nonsense, rot, gibberish, and criminally fraudulent nincompoopery?"
- Neal Stephenson, Quicksilver
http://www.mandolincafe.com/forum/al...chmentid=52109
I don't in any way regret selling it, but I sometimes wonder if I owned it would I play it more than I did.
Nearly all of them:
Charvel solidbody with silver speckle finish (admittedly I traded it for my ibanez bass which I love)
Martin copy acoustic guitar
Cort acoustic guitar (was a gift: was under pressure at home to downsize instruments. Second I handed it over regretted it. Bought a ####ty Monterey travel guitar that I dislike. )
Crafter mandolin
There was a Greg Bennett mandolin that I sold to a friend as a beginner model that I was happy to sell to him.
Never sell instruments.
JBovier ELS; Epiphone MM-50 VN; Epiphone MM-40L; Gretsch New Yorker G9310; Washburn M1SDLB;
Fender Nashville Deluxe Telecaster; Squier Modified Vintage Cabronita Telecaster; Gretsch 5420T; Fender Tim Armstrong Hellcat: Washburn Banjo B9; Ibanez RB 5string; Ibanez RB 4 string bass
Pedalboard for ELS: Morley Cry baby Miniwah - Tuner - EHX Soul Food Overdrive - EHX Memory Toy analog Delay
Fender Blues Jr Tweed; Fender Greta;
Schwab e-tenor guitar with Bartolinis:
http://s568.photobucket.com/user/ema...?sort=3&page=1
Emando.com: More than you wanted to know about electric mandolins.
Notorious: My Celtic CD--listen & buy!
Lyon & Healy • Wood • Thormahlen • Andersen • Bacorn • Yanuziello • Fender • National • Gibson • Franke • Fuchs • Aceto • Three Hungry Pit Bulls
Fun thread, Rob, but it's kinda pullin' on the heart strings.
I've been fortunate to have held onto the acoustic instruments that really mattered.
The only instrument I truly regret letting go is this Bossa OB6 bass. It's the quilted blonde on the left. It was the only extended range bass I have ever owned that had no neck dive whatsoever. The profile was flat and just a joy to play.
I was more than happy to see the Warwick fretless (on the right) go away. The thing weighed a ton. Sounded good, but it was a ball & chain gigging bass.
I have an internal subconscious sensor keeping a wary eye out for that OB6 if it or a close facsimile ever surfaces again.
I have a couple I've regretted buying...
I still think about this mandolin - an MAD F4 by Peter Mix with artwork by Peter Cree...
and an Archtop Gazouki by Graham McDonald...
A '36 Martin 000-18 got away from me when rent was due and the coffers were empty back in the '70s. It's still in excellent hands today, but I should never have let that one go.
Just one guy's opinion
www.guitarfish.net
Like Eddie (and Edith Piaf) I don't spend too much time crying over spilt milk but, if I had the chance, I'd buy back my original zouk. It was a nice Flatiron that I bought from Elderly a long time ago. I sold it to buy a Foley....
Paul
We are really only renting these... after all, you can't take them with you when you go. Sorry to be morbid about these things.
I have friend who is my instrument counselor, one for the few folks I know who has sold off some pretty incredible collection. For him it is catch and release and if he doesn't play an instrument for 6 months then it is ripe for de-accessing.
I am also at the point when I need to make room and solidify my collection. There are certainly some wonderful instruments that I let go but frankly I can't really think of any that I seriously regret selling.
OTOH stay tuned... there may be some coming...
Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
Last edited by catmandu2; Nov-25-2014 at 12:03am.
The only reason I would miss my 1928 Martin 0042 is that I would be able to sell it for multiple times what I got for it when I sold it decades ago.
Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
Okay.. one thing I do lament - a Prophet 600. Alright I'm done now..
Last edited by catmandu2; Nov-24-2014 at 11:11pm.
I had an early 60's Hofner Bass stolen decades ago and still miss it.
It has a one of a kind tailpiece. So, I still look.
I have sold a half dozen or so mandolins and miss them all.
They all helped me along this journey and were well played and loved.
I think I found each of them a good home. So, there is no remorse.
I do have one regret. [Like Eddie] And it's on consignment right now.
What's left is the cream of the crop.
With retirement looming at the first of the year, like Jim, consolidation
is probably in my future. I will greatly miss any of these amazing instruments.
Gary
vincit qui se vincit
Beauties all. Only hoping that all of us who've had, now have, and too those yet to begin--something we can express our love with
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