Beautiful!
Steve
Very nice.
Incredible work! Is the dragon hand carved or done with a machine?
It ain't gotta be perfect, as long as it's perfect enough!
All of our carvings are done by Astrid, completely hand carved. I build the instruments and apply the finish.
Beautiful! It would be nice to hear how it sounds.
Yowza. Astrid outdid herself!
Jamie
There are two things to aim at in life: first, to get what you want; and, after that, to enjoy it. Only the wisest of mankind achieve the second. Logan Pearsall Smith, 1865 - 1946
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Very nice.
Bil
IM(NS)HO
Kudos for the zero fret. How did you calculate the total effective sound hole area?
the world is better off without bad ideas, good ideas are better off without the world
You are both getting better and better. That is a lovely instrument.
Jim
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19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
Amazing, really nice!!
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I love dragons... excuse me while I take a cold shower
Kala tenor ukulele, Mandobird, Godin A8, Dobro Mandolin, Gold Tone mandola, Gold Tone OM, S'oarsey mandocello, Gold Tone Irish tenor banjo, Gold Tone M bass, Taylor 214 CE Koa, La Patrie Concert CW, Fender Strat powered by Roland, Yamaha TRBX174 bass, Epiphone ES-339 with GK1
Lovely work. As a woodcarver myself, I'd be interested to know whether Astrid uses hand tools - chisels and gouges - or power carving tools (or both)? I can't imagine the sort of softwoods used for soundboards being very easy to work with and get clean cuts without razor sharp tools. Hats off.
That is just beautiful work in every way, as usual. You two are quite the team! Thanks for posting so many great and detailed pictures.
My question is whether some kind of extra strengthening is needed underneath, to compensate for the depth of the carving?
bratsche
"There are two refuges from the miseries of life: music and cats." - Albert Schweitzer
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Whoa, that is absolutely gorgeous! bb
My question is whether some kind of extra strengthening is needed underneath, to compensate for the depth of the carving?
bratsche[/QUOTE]
Thank you bratsche! Depending on the scale of the carving, but in most cases no. We start with a thicker top, and after the carving is complete I work the remaining top down to the thickness desired.
Walt
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