But that's just my opinion. I could be wrong. - Dennis Miller
Furthering Mandolin Consciousness
Finders Keepers, my duo with the astoundingly talented and versatile Patti Rothberg. Our EP is finally done, and available! PM me, while they last!
2018 Bowerman A-5
2013 The Loar LM-520-VS
2011 Fender FMO-66 Octave Mandolin
Caleb, I'd like to try that Primetone if there are no takers yet. I'll even send back one of my vintage late 70's generic extra heavy that I use. Sorry but I can't seem to figure out how to private message here.
I used to use BlueChip, but I don't like the fact that they don't 'wear'. They're too slippery for my taste.
I had a guy in Holland, who makes picks for primarily Gypsy Jazz players, make me some custom shaped picks out of the same material, cotton fiber. The tone is phenomenal, and feels much better than anything I've used. He has now added them to his line of picks, all hand made.
♫ ♬ ♫ ♬
Weber Yellowstone
Weber Gallatin-F Wide Nut
Martin D18GE
DjangoJazz picks exclusively
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Magic picks are nonsense.
I have 3 Blue Chip picks, and I love them all. I have a CT 55 for mandolin and two different flatpicks for my guitar. I guess I don't see $35 as a tremendous expenditure given that my mandolin cost $5000. I have guitar straps and capos that are $150. But I don't mind paying more for quality gear. Are these expenditures strictly speaking "necessary?" Of course not. I could play with a $0.50 pick and use a shoelace as a strap. Are these expenditures "worth it" to me? Absolutely.
So why are Blue Chips "worth it" to me? I don't typically loose picks. I played with the same exact mandolin pick for 10 years. I loved that pick, but it had some problems. It was thick, but because it was thick it had no give or snap. It was hard to hold on to, and it required maintenance as it wore down over countless hours of playing time. The Blue Chip doesn't wear (at least not yet), it is thick but has just the smallest amount of snap, and when my hand gets a little sweaty from playing outdoors in South Carolina summers, the Blue Chip takes on a sort of tacky or sticky feel. I still drop picks, but I drop the Blue Chip less frequently.
Northfield Artist Series F5 (2 bar, Adirondack)
They shuffle back and forth amongst people, in the classifieds, Here ,
I've never bought one directly from Blue Chip.
writing about music
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Blue Chip will take 'em back for 30 days if you're not happy. I knew immediately that I was not returning mine. I keep a Primetone 1.4 in my pocket just in case, but I will pick the CT55 every time. I just love the tactile feedback and I think they sound the best, especially in upper positions. I figure the tactile part entices me to play with more finesse, control and power. No perceptible wear so far (about 6 months near-exclusive use).
Blow on, man.
I took Caleb up on his generous offer to give someone his extra Primetone pick. I played it for the first time tonight and was pretty impressed.
My mandolin sounds fuller and woodier but with no sacrifice of bark or volume. While it's a bit of an adjustment I'm starting to like the feel of the rounded corners and beveled edge. Thanks Caleb!
Yea
The Favs
2013 Jacobson Nautilus #23 Semper Concinentī
2007 Weber Custom Yellowstone
2003 Gibson A9
2013 Godin A8
2007 Martin 000-18 Norman Blake #62 of 134
2000 Heritage Millennium H-155
After years of playing TS and then years of Pro Plec, I must say I really like the Blue Chip. Going to try some different thicknesses since you can return them. But I am hooked!
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Pete Martin
www.PeteMartin.info
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Western Swing music
The Favs
2013 Jacobson Nautilus #23 Semper Concinentī
2007 Weber Custom Yellowstone
2003 Gibson A9
2013 Godin A8
2007 Martin 000-18 Norman Blake #62 of 134
2000 Heritage Millennium H-155
When I first started playing the mandolin I tried several of my guitar picks without success. I went to my local guitar store and bought a dozen picks in different sizes, shapes and thicknesses. I had a bit more success and was reasonably happy until I stopped at the Blue Chip booth at IBMA last year. Just five minutes using a BC TP-1R-60 was all it took. $35 is a lot to spend for a little pick, but to me, absolutely worth it. I can't tell you why, but they do play and sound better.at least to me.
I've played and owned V-picks ($10-15), Red Bear ($35 or so), Blue Chip ($60 I think), Wegens (don't remember), Golden Gate ($.75), Pro Plec ($.75), a handful of cheap normal old guitar picks, and two vintage legal tortoise shell picks (which I don't have anymore).
My favorite overall was the Red Bear TriCorner in Pink I bought about 10 years ago. It cost around $25 or something. I actually still have it, and still play with it, but keep it in a safe place, because I don't want to lose it. I've played other read bears that I didn't like, and I gave most of those away.
My go to picks are the V-picks and Pro Plec. Anytime I see a deal on V-picks I get a handful off them. I love them. They are crazy thick but grab the string perfectly for the way I play. The pro-plecs beat all the others I've tried hands down (except for the V-picks). I've tried two blue chips and gave both of them away.
I've found its often the person playing and not the pick that makes a difference. But if you find a pick you really like personally and makes you more comfortable in playing, you will play better.
Asheville Celtic Mandolin Blog and Tablature Resource.
www.AshevilleMandolin.com
The Asheville Celtic Mandolin Collection: Standard Notation, Tablature and Chords for the Celtic Mandolin https://a.co/d/2KaJwBq "] - Tablature, Standard Notation & Chords to 50 Celtic/Irish Tunes.
Hurdy Gurdy Music - https://youtube.com/@TheHurdyGurdyWi...nCX2BHJY7jCVM4
The Mud Larks - Hurdy Gurdy and Nyckelharpa - https://the-mudlarks.com/
So true! Or, as we used to say, "my income doesn't equal my OUT-GO!"
About 20 years ago my buddy and I were looking at guitar magazines and making fun of whatever new accessories were being advertised at the time, and I said something to the effect of, "If someone could market a $100 pick, somebody would buy it." Well, we are dangerously close to that. I do think marketing plays a role....
Another thought, in general, I have with accessories--let's say a certain pick will improve your sound by 3 percent. A certain set of strings, 2 percent, a tonegard, 3 percent, better tailpiece, 3 percent, better bridge, 4 percent, a good setup, maybe 5-10 percent---you get the idea--at what point does the sound of a $500 mandolin equal a $5000 one? I'm guessing--never? (and how much over $5000 was spent on those accessories?)
OTOH, those Dutch picks do look pretty sexy.....
Last edited by Jeff Mando; Oct-26-2014 at 10:54am.
"Can you believe they make a $35 pick?" I think that's what I said to my wife. " I mean what stooge is going to pay that?" Well.... me I guess! It wasn't long before I had to have one and bought one for me and one for a friend to try, we both really like them! I keep a CLOSE eye on mine so I don't lose it but a great pick for sure. Always fun to try different things to get some subtle differences in sound out of my mandolin.
LOTS of picks out there to try, go high end or grab a handful for $10, it doesn't matter! Whatever gets that sound or feel you are looking for.
Kris
Jacobson #24
Kentucky KM-620
Michael Kelly
Fender
Gold Tone Banjo
How long could high end pick companies be in business if nobody was buying them or if a lot of folks who did have buyers remorse? Their very existence all these years indicates that yes there are folks who love them and think they are worth it, and that assuming they can't all be taken in, there must be something about the picks that does in fact make a difference.
So check back in when you have tried one (borrow one at a festival or jam or buy one and save the packaging to return it if not satisfied) and let us know if you like it and whether or not you notice a difference, and whether or not the difference is worth it to you.
Amateurs practice until they can play it right.
Professionals practice until they can't play it wrong.
Collings MTO
Epiphone Mandobird IV
Yamaha Piano
Roland AX-1
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