About the author: Dan Beimborn is the host of the Mandolin Archive, and Chief Linux mommy for the Mandolin Cafe's dedicated web server. He also plays Irish and American music on all sorts of vintage Gibson mandolins, a modern F5, a resonator tenor guitar, and a Sobell bouzouki. Sometimes known to stay on a canal barge close to London, he also calls a village near Norwich, England home. He shares a house with his wife, son, dog Henry, and cat George. Weekdays see him working on highly technical Linux solutions for a multi-national hedge fund.
I first met Elisa Meyer in 2011, near Montpellier, France at the Mandolines de Lunel festival. I was teaching Irish mandolin that year, and Elisa was performing with her family band Choro das 3. Elisa and her father appeared in the back of the classroom one day, and they stayed after to ask questions and compare mandolins. I was quite surprised at how q uickly she could pick up the techniques, until I heard the full band perform later! All of the musicians in the audience were stunned at the complex arrangements and her incredibly fast, accurate playing. During jam sessions, we swapped mandolins for a time. I was taken at how similar her Brazilian bandolim was to the sound of a "celtic" instrument, a lot of emphasis on sustain and a big round note.
Choro das 3 has been very busy as a band, touring widely in the USA in recent years. Facebook friends began to link their videos, and I realized it was the same family I had met in Lunel. These