Chopping Problem

[saintanne]

I can't remember if I've already asked this, but I haven't solved the problem yet, so here goes...

I play a 1930-ish Regal A model (a typical A, not those weird reverse scroll Regal's). Anyhow, it is made of very soft wood. There is a clear pick guard underneath the strings, but (obviously) no protection above. When I get into chopping, I have a tendency to take pretty wide strokes. I have noticed that I am wearing a little groove in the wood above the strings. Is it totally undeard of to put a clear pick guard in this area, or would I be better of re-training myself on chop chords? Any help would be appreciated!

[sunburst]

Well, it might be better to re-train, but what are the chances of that? really?

I don't see a problem with putting a clear pickguard wherever you need one.

[ira]

thats why its clear my friend. lay it down wherever you need it.

[JiminRussia]

I just don't understand the question I guess. Where on a mandolin is there wood "above the strings"?

[phizban]

when chopping try to use less movement, and more of cracking the whip motion with your hand (make sure you do it relatively lightly) and try to hit the G and D strings when you chop. Even though chopping does not produce notes, a heavier, percussive chop is often found on the heavier gauges.

Of course putting a pick guard above the bridge and sticking to your natural chop is another good option as well. =-D

[TommyK]

I just don't understand the question I guess. Where on a mandolin is there wood "above the strings"?
I think he means:
Below= soundboard, Treble side
Above= soundboard, Bass side.

The clear guards he speaks of are a clear adhesive film, maximum protection, minimum obstruction and no hardware to buzz. AND as previously posted, you can stick it anywhere you want. (you got shirt snaps or a belt buckle digging into the back side???)