Flowerpot
Aug-02-2004, 11:15pm
My head is still spinning from the good time I had visiting Hans at his home. I flew in Friday and spent a whole day Sat with Hans, sampling mandolins and deciding what mine will be like. He and his wife were such great hosts, and I had such a great time trying out some wonderful mandolins -- I did more playing in one day than I usually have a chance to do in a couple of weeks!
He had several F-styles to try; a German spruce, and Italian, an older Red spruce w/European maple back, and a brand new Red Spruce with a one-piece flat sawn hard maple back. That one was literally one day old, barely strung up in time for me to try it out, still needing several more applications of varnish. I could only play it for a few minutes at a time so as not to damage the soft varnish (but it ended up with a few war wounds anyway... nothing he can't sand out). We also went over to Rob Coleman's house, who graciously allowed me to try out two more Brentrups (an Italian and a Red spruce), a Gibson MM, and his Loar, which completely floored me despite my ill-conceived hope that I would not fall in love with such a pricey piece.
I'll post my take on the tonal differences of the instruments later as I have time, but suffice it to say it was very, very, hard to decide which top wood to go for. I think I drove Hans nuts going back and forth, but I did decide on... drumroll... West Virginia Red Spruce top with a one-piece hard maple back, just like the brand new one I tried out (only with a slightly wetter sound, remember, Hans?). For such a brand-spankin' new mando, it was unreal... I could feel it come alive in my hands... such potential!
Anyway, here are some of the pictures. Thanks, Hans and Maureen, for the hospitality.
Below, Hans hard at work, being seranaded by myself (not pictured).
Edited: Oops, I got Rob's name goofed up... sorry.
He had several F-styles to try; a German spruce, and Italian, an older Red spruce w/European maple back, and a brand new Red Spruce with a one-piece flat sawn hard maple back. That one was literally one day old, barely strung up in time for me to try it out, still needing several more applications of varnish. I could only play it for a few minutes at a time so as not to damage the soft varnish (but it ended up with a few war wounds anyway... nothing he can't sand out). We also went over to Rob Coleman's house, who graciously allowed me to try out two more Brentrups (an Italian and a Red spruce), a Gibson MM, and his Loar, which completely floored me despite my ill-conceived hope that I would not fall in love with such a pricey piece.
I'll post my take on the tonal differences of the instruments later as I have time, but suffice it to say it was very, very, hard to decide which top wood to go for. I think I drove Hans nuts going back and forth, but I did decide on... drumroll... West Virginia Red Spruce top with a one-piece hard maple back, just like the brand new one I tried out (only with a slightly wetter sound, remember, Hans?). For such a brand-spankin' new mando, it was unreal... I could feel it come alive in my hands... such potential!
Anyway, here are some of the pictures. Thanks, Hans and Maureen, for the hospitality.
Below, Hans hard at work, being seranaded by myself (not pictured).
Edited: Oops, I got Rob's name goofed up... sorry.