View Full Version : The lost art of the three point
Many folks consider Lloyd Loar's F-holed redesign of the F-4 mandolin, the F-5, to be the epitome of mando-aesthetics, but I disagree, and propose that the pre-Loar three point F-styles have the greatest eye-appeal.
Are any builders pursuing replicas or variations of this design? Are any building this classic design with f-holes? #Does Gibson have in its histoory any three-point f-holed mandos.
John Flynn
Jul-31-2004, 9:26pm
John Wynn, who has been building mandos in the Springfield, MO area for decades, has long specialized in F-hole 3-points. He has built them for Jesse McReynolds and I have heard that Jesse's son plays one of them currently. One of these 3-points shows up for sale online every now and then. Here is one currently for sale:
http://www.flatpicking.com/79WynnF5mandolin501698.html
mandogrouch
Aug-01-2004, 6:29am
There was a nice looking Hutto that sat in the classifieds for the longest time. I don't know if it finally sold or not. Gibson had 3 pointer oval hole models until 1910 or so. I've never hear of or seen a Gibson f hole 3 pointer. I agree with you jlb, the three pointers really speak to me, even though I'm not a scroll freak.
Brian Aldridge
Aug-01-2004, 7:18am
I think the 3 point design can be compared to a beautiful woman wearing jewelry. At some point, there can just be too much. Three points is just too much, to my eye. It no longer has the elegant ballanced look.
Scotti Adams
Aug-01-2004, 7:31am
I think Doc Darrow ended up with that Hutto 3 point..
Jim Garber
Aug-01-2004, 10:51am
The Wynn 3-point resembles the early Gibsons only in that it has 3 points. Take a look at this F2 (http://www.mandolinarchive.com/perl/show_image.pl?401) from the archives. Aside from the oval hole, the scroll is completely different. I haven't seen many other contemporary three points, tho I think that Bill Bussman might be building one for a friend of mine.
Jim
mandogrouch
Aug-01-2004, 12:10pm
I'm with jgarber on this one. There's so much more going on with the tops and backs on the Orville F2s/F4s, with regards to the way they are carved and arched. There's nothing like those tops in the modern mando world, and I don't think there will be. The scrolls also have a lot more going on; like the scroll is supposed to be a sound chamber rether than a strap hook like on many modern Fs. I ordinarily don't care much about scrolls but those old 3 pointers are way cool, mainly because of the tops, check 'em out!
On the other end of the spectrum, I once saw a C.E. Ward F-5 that had NO points - just the scroll. Nice mandolin, the owner told me it was done this way to keep the cost down, and in a minimalist sort of way, it looked and felt real cool.
Brian Aldridge
Aug-01-2004, 2:44pm
Mitch Simpson has an F2 that only has the rear point. Quite an interesting one of. I checked his website and didn't find a picture of it there, unfortunatly.
mandogrouch
Aug-01-2004, 2:58pm
I was thinking that the third point would come in handy if one were to slump forward (i.e. passing out from a loud banjo or too much beer, or both), it would jab you in the chest and wake you up. That Orville thought of everything didn't he?