BobLeeSwagger
Jul-18-2005, 10:27am
White mando-orchestras and the blues-mando in small ensembles are remarked relatively often on the Cafe and elsewhere. But this was the first knowledge I had of a huge, largely fretted ensemble, including many mandos, performing orchestrated jazz, or proto-jazz. The sound must have been incredible. Man, I wish I could have heard them.
The mandos, etc, wouldn't have been playing jazz, but marches and "negro" music that was popular during this period, much in the same way the white bands did. This should in no way be labeled as a jazz or proto-jazz group. The closest they would've gotten was ragtime. All of Europe's output has been reissued on CD, but as to whether the string-based ensemble recorded...that's another matter.
Sorry, forgot to add that the Clef Club Symphony Orchestra was a theater group. In fact, he was a leading figure in the establishment of the Clef Club which was a social organization and professional guild for black New York musicians. This effort included the creation of a symphony orchestra of 100 or more players drawn from the membership of the Clef Club, assembled with the intent to promote to a wider audience for the works of African-American composers and performers.
The mandos, etc, wouldn't have been playing jazz, but marches and "negro" music that was popular during this period, much in the same way the white bands did. This should in no way be labeled as a jazz or proto-jazz group. The closest they would've gotten was ragtime. All of Europe's output has been reissued on CD, but as to whether the string-based ensemble recorded...that's another matter.
Sorry, forgot to add that the Clef Club Symphony Orchestra was a theater group. In fact, he was a leading figure in the establishment of the Clef Club which was a social organization and professional guild for black New York musicians. This effort included the creation of a symphony orchestra of 100 or more players drawn from the membership of the Clef Club, assembled with the intent to promote to a wider audience for the works of African-American composers and performers.