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She began making funny noises after I swapped bridges. I've no experience with any luthiers around Philly and there's not much choice. The fellow at Bucks County Folk Music seemed capable and caring. He's recommended a new bone nut and a truss rod tweak, and general set-up stuff as required. She'll be away from home until Saturday. This is as bad as waiting for a new one.
mando_pete
Feb-22-2005, 2:28pm
Do you have another to keep you company while you wait ?
I know how you feel, mine went in for general maintenance a year ago for a week and all I had as backup was a $60 dollar e-bay special.
Hang tough.
I'm not at all lonely. Just worried.
mandolooter
Feb-22-2005, 3:34pm
Did the new bridge lower the action? I've been doing a lot of repair and set-ups as a hobby and its turning out to be a lot easier than i had at first imagined. Common-sense and attention to detail seem to go very far along with my motto long ago learned as a finish-carpenter/cabinet-maker...Ya can cut it long a bazillion times but ya can only cut it short ONCE! Good luck, it outta come out fine!
I'm pretty good with my own bridge height and position adjustments but never fitted one to a top before. Luckily the replacement bridge was actually the original equipment so didn't need to be fitted. I could tell the nut was too low from my own home learnin' about such things. #The mystery was why it was playing OK when I got it. #The luthier feels the humidity change to my home from the previous owner's has changed the neck just a hair enough to make the low nut cause buzzing on the frets behind the ones being fretted. He accuses me of not keeping it humidified enough although I have a 3-1/2 gallon unit I use religously whenever the hygrometer indicates <40%. #The mandolin is only 8-months old so it may just be settling in.
I've never used this luthier before and have heard no reports about him with mandolins either. Especially a nice F with a radiused fingerboard.
jasona
Feb-22-2005, 4:08pm
Which one is it Lee?
Pomeroy F #44. (Not the Ratcliff as you suspected.)
As soon as I got it I noticed the nut was super-low but it played fine. The previous owner had an alternate ebony bridge fitted; maybe that luthier lowered the nut.
After I put the original bone bridge back on, the buzzing began. Bridge height made no difference.
Don offered to check it out but I hate shipping to Colorado and need to find a local luthier anyway. I'm confident Bucks Co. Folk will do a good job or I wouldn't have left it there.
I'm really hoping I can post a positive two-thumbs up so other regional mandolin players will know about them too.
They got some new stock in, including a 1923 Gibson H2 mandola. I tried it out for a little while but my mind was elsewhere.
jim simpson
Feb-23-2005, 10:04am
Lee,
Thanks for the heads up on the H2 Mandola. I just drove by their shop yesterday and was tempted to stop. The last time I was in there, they had a Mike Terris F5 that seemed pretty nice. I almost bought a Flatiron F5 from them but something else came up. The shop has a cool vibe.
johnwalser
Feb-23-2005, 10:06am
I enjoy the repair and setup aspect almost as much as the playing of mandolin. I have made from scratch nearly forty bridges, ten nuts, removed a fretboard and planed neck to square (and it worked!), restored two really old banjolins and have become decent at fixing finish flaws. I would love to learn French polish techniques, but have some allergy problems that will probably prevent this. I had to do a lot of reading and then apply logic to every aspect of the problem I was trying to solve. Great deal of fun learning new skills and ending up with instruments that play easier and sound better.
John
jasona
Feb-23-2005, 6:47pm
Pomeroy F #44. (Not the Ratcliff as you suspected.)
Not suspected. Feared. http://www.mandolincafe.net/iB_html/non-cgi/emoticons/smile.gif
Seems a simple job really, no worries.